Showing posts with label guitar build. Show all posts
Showing posts with label guitar build. Show all posts

Wednesday, December 5, 2018

Mini-Tele - Part 3: A splash of color

Subtle...
As previously mentioned - my son asked for a gold guitar.  
I said, "Everything gold?"
He said, "Everything!"

I said, "...okay."
I said, "...are you sure?"
He said, "I'm sure!"

(editor's note - when I told him the humbucker wasn't going to be gold - he got upset)

Okay.  Here we go!

Gold digger
Two things:

1) I've never spray painted a guitar before.  This is my fifth build (sixth if you count the incomplete Les Paul that still sits on top of my fridge) and I've finished all of them with stain, dye, or shellac under a Nitro finish.  I've got nothing against paint - it's just that all of my builds to date have been made with fairly attractive wood that I wanted to showcase and not hide under paint.  So this is new territory for me (read: plenty of NEW mistakes for me to make).

2) The medium of a blog is rife with dishonesty.  I didn't take a lot of photos of the process of painting the guitar.  So, it looks like this went swimmingly.  I can attest that it did not.  Also, time is a plaything in the blog medium.  This thing sat for months in my garage waiting for me to get my backside in gear and finish it.

Lies, damn lies, and statistics...
In brief:  I painted this with a generic gold color I purchased at Lowes and neither I nor my son was all that impressed.  It was only after stumbling on a really metallic gold paint (by accident in A.C. Moore) that we got to the color you see now.  Then, as I was preparing to spray a lacquer finish on it - I decided to wipe it down with some naphtha.  ...It had loads of dust (and cobwebs) on it from sitting all summer in my garage and I wanted a clean surface to spray on.  Yeah, it turns out that naphtha will strip spray-paint off like nobody's business.  So, I had to paint the guitar a third time.  Only this time the temperature had dropped and I was spraying in temps way too cold for rattle cans.  So, I'm not confident in how well the paint bonded to the previous coats.

When I finally did get to spraying lacquer - I was using a new brand - Watco - Lacquer, Gloss, Spray

...Let's just say - I'll never be using that brand again.  Stick with Behlan's Stringed Instrument Lacquer, kids.  It works!

I had already started spraying the neck with Behlans so I decided to not mix the streams with a different lacquer on the neck.  In the end, the body got 8 to 10 coats of Watco and the neck got 8 to 10 coats of Behlans.  The neck looks great (even though I used steel wool to dull the finish) and the body looks barely passable.  I never even finished polishing the body as weird black spots were starting to show up under the finish as I waxed on/waxed off.  This could have been the spray-paint I used, the temperature at which I sprayed things, or the lacquer.  Seeing as the neck had none of these issues and the only difference was what lacquer I used - you be the judge.

How you doin'?
With regards to the neck.  I did a fair amount of work to it.  I received it with a badly damaged finish (which I expected for $25).  I sanded off the existing finish and also reshaped the neck a bit.
Knowing that this will be a first guitar and not likely to be used for more than a year or two in this household - I went for comfort over perfection.  I skinny-ed down the neck at the 1st and 2nd frets
so that it would fit in my son's hand and perhaps make it possible for him to play first position (e.g. cowboy) chords.

Can't complain
I also worked on the fret ends quite a bit.  The fret ends were sticking out like barbed wire - so I filed those down and polished the frets as well.  I did a little fret leveling but not much.  If he gets to the point where he's ready to start ripping out an Angus Young solo - I'll dress these frets to perfection.  For now, the neck fits in his hand, won't cut him, and is mostly in tune.
Had some work done?
I also inlaid an Irish coin into the headstock because for some reason that has become my thing.  In this case, this is the first time I've used legal tender.  This is a 10 cent Euro coin.  I used it because it is gold colored.  It was a fabulous piece of good luck that I had a drill bit that was almost the exact size of this coin.  I'm happy with this part of the build.

So, while it's not perfect - the guitar now has a finish.  It's time to assemble it!

Tuesday, November 27, 2018

Mini-Tele Part 2: Cultural Appropriation

Theft
Never let it be said that a DIY blog about building guitars can't be socially relevant.

Yeah, I can't believe I typed that sentence either...

So what are we looking at?  It's a neck plate, dummy.  No really, it's used for screwing the neck onto a guitar body. And speaking of screwing - it is also a bit of Welsh culture and Druid mythology that I'm taking without asking.  So, for all you Welsh Druids out there - I'm gonna steal your culture.  Look out!

What you are actually looking at is the Druid symbol of the Welsh word - Awen.  Awen means "inspiration" - usually of a poetic nature.  I guess the Druids liked the word and decided it needed a symbol to go with it.  And who are we to judge?

Great Expectations
I thought it would make an interesting image on a neck plate and back in 2015 planned for it to go on the first guitar I finished that year - hence the 2015-001.

(Editor's note - no guitars were finished in 2015).

It just so happened to be a gold neck plate - so it's perfect for this build.  Better late than never!


I like the cut of his jib

Speaking of necks - we're gonna need a place to put that thing.  I routed out the neck pocket on this body blank using the process I have used on the last couple of builds that I've worked on:  Trace the outline of the neck shape on a piece of particle-board (or plywood) and cut out that shape with a jigsaw.  Then use that shape as a tracing template for my router.  What you can't see in the above picture is that everything to the left of that last fret is the overhang.  The thickness of the whole neck minus the thickness of the overhang is how deep the neck pocket needs to be routed - so that the overhang sits flush to the body.

Flush
As is quite typical at this point - things fit pretty well.  The neck fits in the pocket nice and tight and the neck is straight and level.  It's only later - when I start monkeying with things - that I'll mess it up!


"Aren't you a little short for a StormTrooper?"
 As you can see - this is a short-scale thing we're building here.  A normal guitar has a scale length (the distance from the bridge to the nut) - or total string length of 24.75 to 25.5 inches.  This puppy will be about 20.5 inches.  Also, the width and depth of the neck are much smaller than a normal neck.  Hopefully, this will make it easier for little hands to hold it.

Diggin' Holes
In addition to the neck pocket, I also routed out the hole for the pickup.  I'm going to go with a Humbucker for this build for two reasons: I already have one left-over from another build and humbuckers are quieter than single-coil pickups (as in they don't hum as much - hence hum-bucker).
I already have a humbucker routing template so this went fairly quick.

Diggin' More Holes
 I also drilled the hole for the input jack (where the guitar cable plugs into the body). If you look at the center of the hole you'll see a little light.  That's the pickup cavity in the previous picture.
The below picture is a detail shot of this.  I chose to go really primitive with the electronics for this build as I didn't want to overwhelm my Son with switches and knobs and I didn't want to overwhelm myself with soldering headaches.

Holes inside holes.
When I'm done with this build it will have one pickup, one volume knob, and an input jack.  Low-tech but just enough to do some damage.

Monday, November 19, 2018

Mini-Tele - Part 1

Bigger isn't always better!
Like most people that have both children and guitars - I fight a battle.
I really want my son to be interested in music (and being interested in guitars would be A-Okay with me) but I also want my guitars to survive the experience.  I tried early on to demystify the instruments themselves by having him touch, hold, and play some of the more 'durable' items in my collection.  I figured the cheap and cheery Epiphone mandolin would be a better introduction than the near vintage PRS.  Fingers crossed - it seems to have worked.  He's interested in electrics and careful with the acoustics.  You can't ask for much more than that from a 7-year-old.

So, when my son asked me if I would make him a guitar - I had to pause.

Of course, I want to build him a guitar!  I've been waiting for this moment for over 7 years.  I can't wait until he's 16 and he can tell me exactly what pickups he wants in the thing.  But for now - he's 7 and may very well play it once and never touch it again.  So, how do I proceed...?

The thing about guitars for kids is that – you can’t just put a Les Paul in a 7-year-old’s hand and say, “Good Luck!”  It weighs more than he does and it’s almost as tall as he is.  Usually, guitar stores will sell ¾ sized instruments for kids taking up the 6-string but I did the math on that and it would still be pretty big on him. 

Judge me by my size, do you?


About 6 months prior to this post I saw a short scale neck for sale on GFS' factory blowout page.  It was less than $25 and a short enough scale (20.5 inches) that he might be able to play it.  So, I bought it and showed it to him.  He was excited.   I asked him what color he wanted it.  "Gold!" was his only answer.  ...like for all of it.  Gold body, gold hardware, gold headstock.

Don't stop believin', kid.  Gold it is.

So, here I am building a starter guitar for my son.  I'm going low budget on this one as it may end up being a wall hanger but let's see what kind of mess we can make, eh?

I thought you'd be... bigger...

I started with a Poplar body.  Mainly because I could get a slab of wood in the right size.  If I'm careful with the cuts - I might get four bodies out of this plank - and that'll work out to about $20 a body - not too shabby.  If for no other reason it'll be great for working on prototype body shapes - even if this is the only body that gets turned into a full guitar.  (Editor’s note:  if I do this again – I’ll use Basswood.  Poplar was fantastic to work with but it’s a bit too heavy for little guys).

I found a full-size image online for a Telecaster shape and shrunk it down in Photoshop.  I went with the Tele-style - again to keep it simple and to maybe finish the build before he goes to High School.  Tele's don't need a bunch of shaping like a Strat or a Les Paul.  And since I've already built one - it "should" be easier to build.

We'll see how that goes. (Narrator voice-over: it didn’t go how he planned).

Shrinkage

As you would expect if you've been reading this blog for more than 5 minutes.  There's tracing, cutting, and sanding in my immediate future.

Rough & Not-So-Ready
 As you can see from the full-sized template under it - the Mini-Tele body is probably 25% to 35% percent smaller than a normal telecaster body.  I forgot to note how much I reduced the original image file prior to printing it out.  I also made some free-hand changes to the design to better work with the slab of wood I had (read: I made a mistake with my math and had to fudge it a bit).

Ye Olde Schoole
 I also decided to build this guitar in the same way that I built my first one - with a jig-saw rather than a router.  There was no good reason for this - it just felt like a good idea.

"Say hello to my little friend!"
 To fix all those lovely rough edges I used a belt/disc sander.  Seriously, where was this thing when I did this the first time?  These are super-handy if you are a sloppy builder (like me).

There's a little bit of rock in there.
 And here's where I left off after day #1.  Sadly, I didn't record all the steps so the next posts may jump around a bit.




Thursday, January 11, 2018

May I introduce you to...

So, I don't have a name for this one yet.  We're still getting to know each other.

You've come a long way...

Submitted for your approval - without further comment:















Tuesday, January 2, 2018

Boundless


Uh oh.  Dad's got the fringe out again...
I see tape fringe!  That can mean only one thing.  Daddy's gonna have a good time tonight!!!

...ahem...

Sorry. Wrong blog...

But seriously, it's time for more binding (yay!).  I decided way back that I wanted to bind this Les Paul style neck - including the headstock.  So, here we go.  In a previous post, I discussed how I needed to make a channel for the binding to sit in.

57 Channels and nothing on
Also in a previous post, I talked about making binding paste...

Mmmmm... Death Chicklets

The joy of watching plastic melt...

Death Chicklet soup...?
I've also talked at length about working on plastic binding: here, here, and here.

Always the same:  It's picture day and I have flyaway binding

So what more is there to talk about?
Not much.  I just thought a post of nothing but pictures would be a bit boring.
And I thought the blog would be a bit dry without my pithy observations.

Something pithy
But in truth - here's the bit I wanted to get to: The headstock.
Binding the neck isn't really that new and different.  If anything, it's easier than a guitar body because it's pretty much a straight run of binding with no curves.  Until you get to the headstock.

Curvy you say?
The headstock was the reason I needed to bind the neck over two days.  Day one was the neck and the big curves of the headstock.  Day 2 was for all of the little curves.

All wrapped up and nowhere to go.
So, after Day 1 we are left with this:

No, my workbench didn't magically turn into polished stone.
After all the tape was removed we had this: 

Ladies and gentlemen - my kitchen floor
If you look closely you can see that I cut the binding too long - so I need to trim it.


*Blink-Blink*
And we're back in the garage.


Take some snips and cut the binding to the correct length and you are left with this:

That middle bit is going to be a problem
And this:

And this is gonna make the guitar look better how?

And this...

Son of a...!

So, remember when I said there was really nothing new to report about doing the binding on the side of the neck.  Yeah, I lied again.  Lying liar that I am.  What happened here?  

I was pretty surprised myself.  I must have pulled the binding in the wrong direction when I taped it down because I was about a half inch short.  And by the time I realized this the binding was mostly done - so it would have been a real pain to redo.  So, I slapped another small strip on there and we'll work on it.

Lil' bits
Day 2 working on the neck was to affix the little bits.  Now there is a reason I split this process over two days.  To make these pieces blend seamlessly with the larger bits you have to trim, sand, and pre-fit them.

Unless you actually know what you're doing and then you do this in one night...

I started simple with the small piece that goes on the butt of the neck.

Heh, heh.  He said butt!
Then I tackled the top of the headstock.  On a traditional Les Paul guitar, the final profile or shape is supposed to look like an open book.  Which means I'm going to have to do something about that peak in the middle there.

Binding gives you wings!
Since we use anthropomorphic terms for guitars (neck, body, head-stock) this last part here would be the what?  Jowls?  Adam's Apple? Lymph Nodes?

Caressing the guitar jowls
...ew
Anywho!  All these pieces were cut to fit.  And in the few cases where they were not an exact fit - I used a bit of extra binding paste to cover my mistakes.  It's not like that went poorly the last time I tried that trick.

Then I waited overnight and on day 3 scrapped that sucker.
I will mention again that I use both a cabinet scraper and a utility blade to scrap bindings.  This time out I also tried using a 1/4 inch chisel.  Which worked for the area where the nut will go as that is harder to scrap or snip.

After a rough night on the town


After a shower and shave.
Scraping turned up a few blunders.  I kind of thought this one might not be a tight fit as I taped over it.  But until you take the tape off it's hard to know either way.

Heisenberg's lesser-known experiments with binding.  No dead cats required.

And I knew the top of the headstock was going to need a solution.

Pictured: Unresolved issues

Buth otherwise - it's starting to look pretty good



Pictured: Pretty good

Seeing as this neck started out life looking like this:

So, I've had some work done.  So what?
I mixed up a small batch of binding paste and filled in the cracks.
Once that's dry we'll scrap again.
A little schmeer...
And now we wait for Day #4

What could possibly go wrong?